- - -Dear Me, Dear Us- - -
Dear Me, Dear Us includes soulful and intimate photographic portraits of some of my favorite BIPOC disabled, neurodiverse creatives and community organizers. These portraits capture each subject and unveil an authentic aspect of their disability. The zine also features letters each collaborator has written to their childhood selves, followed by a letter written to their current adult selves and to the disability community at large as a way to amplify joy and encompass the Dear Me, Dear Us theme. The letters also address what it is like being a black/brown disabled person, and how increasing our visibility uplifts the entire culture. I've included myself in this project, and am very frank in sharing about my miscarriages, post traumatic stress, dyspraxia, stuttering, ADHD, and anxiety that have heightened due to thyroid disorder.
This project has been a long time in the making and Jen is thrilled to bring it to fruition this year!
This project has been a long time in the making and Jen is thrilled to bring it to fruition this year!
- - - Artist's Bio - - -
When her son was diagnosed as Autistic at age 2 she began to examine the absence of black disabled children in digital and literary media, this motivated the release of an advocacy photo zine entitled "KnoxRoxs." Dedicated to her Autistic son. The zine is a way to give visibility to children of color in the black Autistic community. The photozine helped to contribute to the rare framework centering autism acceptance in families of color, amplify conversations with the Disability community, igniting the continued need to develop anti-racist, and anti-ableist media.
Jen's definition of Mothering as an act of Resistance means to redesign ableist visual culture. The sole intention is to empower and activate change encouraging communities to engage in conversations about acceptance, rooted in how Black neurodivergent children are valued and seen.
The visuals she makes using photo and design are her own reflections that serve to amplify conversations with the Disability community. It ignites the continued need to develop anti-racist, anti-ableist media.
[ Image Description: Jen giving a presentation pointing to a large projector slide on the wall, in a bright atrium filled with trees where an audience is listening. ]
Since its release, the zine has received national and international recognition and is permanently archived in Libraries at the The Metropolitan Museum of Art and the National Museum of Women in the Arts. Her activist and advocacy work has been featured in The Washington Post, AfroPunk, New York Times, Teen Vogue, Rolling Stone, Crip Camp: The Official Virtual Experience, and she was selected as an honoree on the 2020 Diversability’s D-30 Disability Impact List.
Jen currently teaches as an Adjunct Professor of Photography at Bowie State University, in Bowie, MD.
Learn more about her art, life and activism work at www.jenwhitejohnson.com and follower her @jtknoxrox